Devlin started writing lyrics aged 13 which he admits were ‘dreadful’, but Tales from the Crypt, released in 2008, helped his fan base grow tremendously. ‘I’d say it had a big impact ’cos it gave me a nice platform.’ One thing that stood out amongst fans was Devs’ ability to paint vivid pictures through his lyrics and varied subject matter. ‘It was tales from the places I’d been, my life and the struggle from coming up,’ he says. Arguably the stand-out track from the mixtape is Community Outcast. ‘It was just a reflection of my area and things I’d seen,’ he explains. ‘I wanted to give a mention for people that I feel are forgotten about, in a place where it is hard to get out of.’
Has he felt like an outcast in the grime scene himself? Being white and Cockney, some may believe he could have experienced exclusion or discrimination from a scene mainly dominated by black artists and producers. Devlin states he wasn’t discriminated against, but admits to being judged. ‘I definitely used to get the feeling people were looking at me like “Who’s this white guy?’’ Once he touched the mic his lyrical dexterity, vast vocabulary and mind-boggling wordplay always won over the doubters. He does take grievance to being classed as the “best white MC”, though. ‘I don’t care, I’ll go with anyone; pink, purple, black, white… I don’t like that “He’s the best white boy”. I think I’m one of the best full stop, so that’s the only thing I don’t like,’ he states boldly.
Naturally, comparisons to Eminem and The Streets front man Mike Skinner are present. Flattered to be described as the UK’s Eminem, he’s not so sure about Mike Skinner. Despite rating Skinner’s music, he isn’t fond of the association. ‘I just think it’s because I’m white and I wear a Ralph Lauren shirt. That’s the comparison there – it’s a visual thing,’ he says.
London City is about a night out in central London with the lads. It’s a laid-back song; unusual for Devlin. ‘I was surprised [by the success].’ Changing his usual style paid off with London City, but the same can’t be said for the rock-inspired Giant. Despite not being a favourite of his, neither YouTube comments nor posts on forums affect him. ‘I’ve seen some lovely comments on there; I’ve seen some I can’t repeat, but that’s natural. But nah, it doesn’t sway what I do too much,’ he declares.
His first major label single, Brainwashed, is out now, but it’s been a long old haul to get this far. Devlin sums it up rather grimly as follows: ‘Shitty radio stations in dirty old flats in manors, having no money, trying to get bookings, driving old [Ford] Fiestas to Manchester…’
He’s also had to contend with a lot backbiting around him: (‘Devs gone soft, Devs gonna do this, Devs is gonna do that’.’ Brainwashed entered the UK singles chart at number 31.
Hopes for the album are simple; sell loads of copies and do a lot of touring. Seeing the success of acts like Tinchy Stryder, Chipmunk, Tinie Tempah and such achieving so much, makes it easier for him and fellow artists breaking through. ‘You get your nut down and carry on, and there’s no reason why we can’t. The scene’s growing tremendously. Everyone’s playing their part now.’
Interview by Marvin Sparks
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